We have all taken portraits of our favourite family member or friend. Usually, these are recorded in colour. However, a black and white portrait can be almost timeless, certainly classy and can create flattering effects on an otherwise unflattering subject. This photography course online article considers the magical world of monochrome portraits, providing, in no particular order, some guidance to help you when taking your images.
* Shoot in colour. This may seem strange when taking black and white images, but if you convert the images to black and white in Photoshop (or equivalent) in post-production, you also have a collection of colour shots you can use later
* Try getting in close – real close. An image where you can clearly see each line on the subject’s face displays their character
* Capture their natural expressions. We have all seen the cheesy grin when someone poses – but seeing the subject in their natural state reveals much more and makes for a lasting, memorable shot
* Create a moody atmosphere by providing some side lighting. This effectively throws one half of the face into shadow, and can make even the friendliest person appear rather menacing
* Add a depth of field element. For example, ask the subject to partially cover their face with their hand, then move the hand closer to the camera. This adds a 3 dimensional feel, and makes an intriguing twist on a normal portrait
* Make your subject look as ‘unposed’ as possible. Chat to them regularly throughout the shoot and make them feel at ease. Crack a few jokes and get them laughing. If they are enjoying the session, this will leap out from the printed images. A reliable photography course online will cover not just technical aspects, but also include techniques to relax your subject during a portrait session
* A quirky look or other unnatural pose will tell the viewer something different about the subject’s personality and character
* Carefully study your subject’s profile, and take some shots side-on. These can produce striking images, which the viewer would not be expecting. Prominent shapes of cheekbones, noses, lips can all be revealed
* Contrast dark clothing against a light background to create impact
* Frame the subject tightly. This provides an intimate portrait, and successfully eliminates any distractions
* Try to take all types of shots. A photograph revealing a humorous side to an otherwise serious person will make for a captivating image
* In post-production, experiment with selective and creative cropping of the image.
A successful black and white portrait can be more powerful than the equivalent colour image. It takes us to the bare bones of the subject, and gives an almost documentary feel to the picture. Black and white lends itself well to portraying characters, revealing raw emotion that does not always show up with the distraction of colour. If you are currently following a photography course online, submitting a selection of black and white portraits will become a strong addition to your portfolio.
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Black and white photography is a rewarding and challenging field of artistic photography. Even people who don’t care about photography can find themselves drawn to a great black and white image. As a photographer, black and white can allow you to discover a whole new character in a familiar subject.
For many digital photographers, black and white photogaphy is nothing more than colour photography converted by software. It is a matter for your own judgement whether this is effective for your photographs. Often the image you assume will convert beautifully to black and white will prove a disappointment; sometimes a photo you never imagined will surprise you.
However, most serious photographers will tell you that the best black and white photos are taken when the photographer deliberately sets out with black and white images in mind. This creates an entirely different mindset in terms of how you choose and approach your subject. You may, for example, start to see potential in subjects you would never normally consider for colour photography.
If you have never had a serious go at black and white photography, here are a few simple tips to help you get started.
Black And White Photography Tip #1. Choosing A Subject. Some subjects lend themselves to colour but are not nearly so effective in black and white. For example, sunset photographs rely on the colour of a great sky for their impact, and rarely produce a good black and white image. Colourful birds, flowers, fashion…there are many times when the only logical approach is to shoot your subject in colour. On the other hand, some subjects are ideally suited to black and white photography.
Because this is an ‘old-fashioned’ medium, it often works well with old-fashioned subjects. Rustic items like old farm equipment, a tumble-down shack, an old wooden fence can all be great subjects for black and white photos.
When photographing people, age can also be a factor. A close-up portrait of an aged face showing all the lines and creases of their years on earth can have much greater impact in black and white.
This can only be a short article, so these examples are just the tip of the iceberg. You will find many great subject once you start thinking in black and white.
Black And White Photography Tip #2. ‘Seeing’ Your Subject In Black And White. When you first approach your subject, you need to imagine how it will look without colour. Try to look at it in terms of lines and shapes, shadows and contrasts. You will begin to see your subjects in a whole new light. You may even find yourself zooming in on a particular feature, or photographing the subject from an angle you might never have considered in the past. One thing is for sure; once you get into the ‘black and white headspace’ your camera will express the character of the subject in an entirely different way.
Black And White Photography Tip #3. Use The Light To Enhance Impact. Because a black and white photo relies so much on shadows to define shapes and details, your approach to lighting can make or break an image. As a nature photographer, I often photograph black and white photos quite differently from colour photos.
You have probably heard the rule that the best landscape photography is done early or late in the day when the sun is low and the light is soft and even. Well, in black and white photography I often look for just the opposite. To create better definition in a subect I will often take my photos through the middle part of the day, to create heavier shadows to emphasise the lines and shapes in the composition. I am also more inclined to take photos looking directly toward the sun, to produce silhouettes that make the most of trees, windmills and other strong shapes against the sky.
Earlier I mentioned a portrait of a very old person. If it is the lines on a face that give the image its character, you need to make sure the lighting is from an angle that produces shadows in the creases. Thus you may be looking for lighting in a black and white photograph that would be considered unflattering and unsuitable for a colour photograph.
So there you have three very simple tips for black and white photography. Notice that they are all about the creative approach, not about settings and camera techniques. In fact most of the time, black and white requires no different technical expertise than colour photography. To take better black and white photographs, you don’t necessarily need to change the way you use your camera. Instead, you are looking to change the way you see the subject, and how you can use light, shade and composition to capture the character that black and white photography has to offer.
If you love photography and want to stretch your horizons, I am sure you will enjoy experimenting with black and white. It may open your eyes to aspects of your world that have never turned you on before. Good luck and happy snapping!
You don’t need the best camera to become a better photographer. You just need a small amount of guidance from someone who knows what they are talking about. Visit http://www.naturesimage.com.au to find Andrew Goodall’s images and ebooks on photography for beginners. While you are there, why not sign up to the online newsletter for regular tips and updates…it’s free!
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For a long time black and white photography was treated as the poor second cousin of color photography. But once upon a time black and white was photography. There wasn’t any other option, except hand tinting of daguerreotypes by artists.
I still look at black and white portraits taken in the 40′s, 50′s and earlier, marveling at their simple beauty. To me they’re more captivating than their color equivalent. Not everyone agrees.
When I was taking a basic filmmaking seminar, one of the speakers was Craig Brewer. His first big movie was called The Poor and Hungry and even though Craig shot it with modern digital cameras, he released the film in black and white. I liked it, so did the L.A. Film Festival. But during screenings for distribution, Craig mentioned how two-thirds of the distributors would immediately get up and walk out, just because his film was black and white.
To me that’s very sad because black and white takes away all the distractions to focus on shape and form. That’s how you learn to see a black and white photo in a scene, by focusing on the forms and innate composition based solely on the shapes.
The second level in finding a black and white photo in a color scene is to focus on patterns. Patterns and shapes. Learn to see an image as a flat, two-dimensional array of patterns. It’s harder to do than you think. Most people see, but very few analyze what they see. By training yourself to go through this mental process, you’ll not only find great black and white pictures, but you’ll become a better photographer overall.
The third layer of a great black and white photo is contrast. By making subtle changes in contrast, you can shift the subject of the photograph in a black and white image. Darken an object in the foreground to silhouette it against a lighter background, or reverse the process to make a background object seem like it’s appearing through a lighter foreground.
Another component of a good black and white photo is texture. Because you don’t have the color information to work with anymore, you’ll need pay more attention to elements with visual impact. Many times texture provides the drama in a black and white photos, the gritty reality. Taking away the color information forces viewers to see the scene differently.
To accentuate the patterns and texture, hard directional lighting is frequently employed. That will highlight edges and create large areas of sharp contrast. Exactly the kind of components that make black and white the go to option.
Another option in post processing is called color isolation. That’s where you leave one element colored and gray scale the rest of the photo. The sole spot of color forces the subject, no matter how small a part of the original photo. If you remember the movie The Matrix, there’s a scene when the artificial world is nearly devoid of color, except for a single woman in a red dress. Even the best trained mind has trouble not focusing on a flash of color in an otherwise colorless background. It’s an instinctual response. Millions of years of visual instincts, where a flash of color is either danger or an opportunity, are not so easily undone.
So as you look around, start trying to see the shapes and textures around you. Not everyone likes black and white photos, but for those who do even the simplest scene can have layers of intricate detail only available to a few.
You’ll learn even more with Proud Photography – one of the best online photography schools available today at http://www.ProudPhotography.com
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In todays world, colors attract more than black & white images. Even though colors look vibrant and enhance the picture quality, still there are many art enthusiast who prefer a black & white image more impressive and attractive. There are certain meanings that can be expressed through a black & white image only. Silver Efex Pro provides all the artists, designers, photographers and photo enthusiast the opportunity to transform a colored image into a black & white image. Black & white photography still holds populace amongst the artists. Any image created in a monochrome form looks more expressive than a plain colored image.
Silver Efex Pro comes with various features with which you can easily select and fine tune photographs according to you. Its basically inspired by a ‘darkroom workflow concept’ and the outstanding U Point technology that provides an edge to the image editing. Flexibility and control over the images along with tonality and contrast can easily be achieved breaking the traditional norms of darkroom editing.
There are various features that have been introduced for better digital workflow and output. Comparison can be done easily with the images edited previously or in different looks through the History Browser. Brightness can easily be adjusted at different areas of the picture with the Dynamic Brightness feature. A unique, contrasting effect is created according to your preference with Amplify Whites and Blacks feature, highlighting the images. Edits and styling can be done by just clicking a single button within no time. Through the Soft Contrast feature, you can easily stylize a single image effectively. Even the smallest detail or structure can be enhanced through Fine Structure feature. With proper use of U point technology, color elements can easily be added through the selective colorization feature.
Thus, with the new and latest edition of Silver Efex Pro artist can easily change images digitally, using their creativity freely and with ease. Now you can edit images the way you want them to look with better digital workflow. They are readily available at the showrooms and on-line stores. It is compatible with Mac and Windows.
Anie Bate writes article for technology. He has vast exposure in writing for technology products like Silver Efex Pro, Hanvon Sentip, Nik Software Complete Collection, Colormunki, Spyder3Studio SR and many more. Visit www.smartimages.com for more details.
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When you are choosing a photographer for your wedding, be sure to find out if they are equally skilled at black and white photography, as well as color. While it is true that color images are perfect for recording all the gorgeous colors of the bridesmaid dresses, the flowers, and the wedding cake, nothing is quite like black and white for capturing the moments of a wedding. Read more about how to utilize black and white photos to truly tell the story of your wedding day.
If you are a sentimental bride, having some black and white or sepia toned images in your wedding album will give you that timeless connection to the past that makes weddings so special. You might even have fun with replicating a few similar poses to the wedding pictures of your parents and grandparents. They would make a fantastic display all together on one wall in your new home. A classic shot of the entire bridal party in black and white also looks wonderful on display.
But don’t think that black and white photographs are always going to look old-fashioned. In fact, contemporary brides can get just as much out of them as traditionalists. They are one of the best ways to capture close-up detail shots, such as the lace on the bridal gown or the feminine pearl tin cup necklace at her throat. The higher contrast that is typical of black and white images can really catch texture and light in a way that is diffused by the brightness of color images. When you want to get a great overall shot of the dcor of the reception room, turn to color, but for the smaller shots that help to pull the whole story together, black and white is unparalleled. Nothing else can do the same justice to the luminosity of the individual pearls in that tin cup necklace or to the artful frosting on the wedding cake.
Something else that black and white photography is wonderful for is getting all those special moments that make a wedding unique. Images of the bridesmaids laughing on the dance floor, the groom with a tear glistening in his eye during the vows, or a flower girl sleeping in a corner at the end of a long day, are all best captured in black and white. When pictures are in color, the play of hues is what really draws the eye, but when that element is stripped away, the emotion of a moment becomes much more clear. This is why no wedding album is complete without at least a few black and white images.
Not every photographer has a knack for black and white, so be sure to discuss it with any potential photographers you are interviewing. There is something about getting the perfect angle and the right lighting that can really make an image powerful, but it takes a trained artistic eye to see it as the moment is unfolding. In these days of digital photography, it is a snap for a good photographer to switch back and forth between color and black and white, so be sure to have some of your priceless wedding memories preserved in the powerful voice of black and white pictures.
Bridget Mora writes for Silverland Jewelry about wedding planning, style, and etiquette. Come see the fabulous tin cup necklace selection at http://silverlandjewelry.com/ and receive complimentary shipping on your jewelry order over .
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For the preparation before shooting, I believe the answer, and so grand show, of course, the most important preparation is to prepare enough food supplies and ammunition, and enough film or digital camera memory card, sufficient power supply is essential to enthusiasm does not occur during the filming did not film / memory or camera without electricity, then it can only be disappointed and back. Also a good camera, of course, indispensable, more people on the show, preferably with large zoom camera, the one can avoid the crowds, and secondly, outstanding depth of field can get a better body.
Most of the auto show, held indoors, indoor dim light in general more, faithful color when shooting is the first time to pay attention to the stability of the camera must be maintained to avoid false picture of the hair, the problem may be we all know, but To really solve the reverse is not an easy thing. At this time, tripod and flash are you a good helper, with the help of a tripod, even then also need not worry about slow shutter tremor, but when you meet people more time, more difficult to use a tripod, is often not enough time and space for you to slowly adjust, I also now have such an experience, in the crowded hall, the heavy NIKON EN-EL10 Battery tripod can only increase the burden on me, and no chance to use.
In contrast, in the event such occasions, the role of the flash effect is apparent than the tripod, the same tremor can prevent the phenomenon, but also kind of want the flexibility to shoot using the flash, unlike the tripod-like cumbersome. However, the use of flash has some skills can not make you want to get clever anti-dig, shoot a bad photo out of the other compact digital cameras due to the general power of built-in flash is relatively small, at the show to be useful, I propose the better to use an external flash.
Indoor flash problems are most likely to shadow the problem, if the person behind the camera is not enough space, away from the walls of more recent case, direct use of flash lighting will be photographed in the shadows behind the emergence of thick black, very ugly, this time As long as the flash in front of you plus one to two layers of white paper to solve the problem, the flash ago softer white light that allows not only the performance figures for the skin, you can fade out the shadow, if not entirely dissipated, can effectively reduce the hardness of the shadow, photos will look more comfortable.
In addition there is a problem is worthy of color faithful to note, once I was distressed asked why the same under the flash shooting with the same exposure, some photos will be brighter, some darker picture it? After photos the observation that, all these different pictures of light and dark is taken under different focal lengths, the camera’s exposure value although the same, but because of factors of equipment, in fact not the same as the actual exposure. Because the general consumer digital cameras and traditional cameras ordinary aperture zoom lens is not constant, the maximum aperture at wide-angle end can only be achieved when the focal length increases, the aperture value will be reduced one to two, and this is causing the problem of varying light and dark picture, the solution can increase the use of telephoto shooting in paragraph one to two stages of exposure, may try to come nearer, do not use the longest focal length to shoot.
To avoid the photos on a virtual, you can also increase the sensitivity of digital cameras, and perhaps the value of using high EN-EL10 Battery ISO film, but to pay attention to the general increase will bring ISO image enlargement, increased noise problem, the general amateur photographic and digital cameras degree preferably not more than ISO400, otherwise difficult to achieve the desired quality. Another current consumer digital cameras, like the Panasonic FZ10, Canon S1IS, Konica Minolta A2 have suffered anti-shake feature, you can greatly improve the stability of the camera so that to prevent hand tremors are quite useful.
Auto light on very complex, especially the spotlight, making light disorder, different color temperature, so that greatly increased the difficulty shooting. We can use when shooting the scene the spotlight to the models using the flash light and fill light the way to shoot in mixed light sources not only show a sense of ambient light with the atmosphere of the scene, and so the color models also tend to be more real, the role of the flash different color temperature can also be trimmed.
White balance settings
If you do not use flash photography, the color temperature of the problem may haunt you, so that the complex light to your digital camera’s automatic white balance may not be accurate, there are some obvious color cast, this time need to use manual white balance settings, and general digital cameras have this function, and white balance features can be obtained by warm tone of the work, the following graph is obtained by changing the white balance settings of the picture, looking for a very comfortable, it is recommended you have time white balance can make good use of DC function.
Black and white
Also if you use black and white photography, color temperature problem would not exist, and if you like black and white, then it may wish to try out, shot in black and white, the difficulty will be greatly reduced, the factors to be considered less, to a good works naturally easy.
Shooting with backlighting
The use of the backlight can show the model’s hair color and texture, and can outline the main contours of the bright, backlit effect is difficult to get along under light conditions, the use of the backlight is one of the good work.
The show a lot of people, when in the shooting has nothing to do if the person shooting into the picture, the picture will be destroyed, we can not highlight the body, not beautiful. Photography is an art of subtraction, we need to streamline the screen as much as possible, as far as possible in order to highlight the main elements of concise, this time to make a good depth of field control. Factors that affect the depth of field presumably we all know it, is to try to use paragraphs and large aperture telephoto to shoot, this time a large 10X optical zoom or more OLYMPUS li-42b battery cameras can flourish by. The following picture is the use of large aperture and telephoto pictures taken paragraphs, background although very close from the model, but also get a relatively good depth of field, highlighting the subject.
In addition to the background can control depth of field, but also can show posters around the wall or as a background, the exhibition were carefully arranged, beautifully hung all around, large posters, and models as long as the communication and let her go before the film poster The background can also get good results. The figure is the use of pictures and wall posters, the use of a small depth of field available, the effect is quite good.
If we can achieve good communication with the model, it is a film all the more pleasant things, not a strange feeling, the first model will show more natural relaxed, as a photographer you will naturally looks even more vigorously the ! Communicate with the model of course, the premise is to respect them, as long as you respect and sincerity to them, they often will be happy to assist your shooting, if you can experience something like this so lively MM, it will happen you do not murder less film it!
Although most of the show’s models are more professional, they will put on a variety of different positions, but sometimes may not be able to achieve what you want, if you already have with her good communication, this time you I can safely make your proposal, you want her to put a POSE. The following is required through the communication model assumed after the POSE, I want to basically achieve the effect.
Waited a long time talked about how models are just that shooting it? We can not forget that this is a car show, car is the real protagonist Yeah. In fact, shooting a car, but a good subject, we also spent some thought to the valuable and generous pat on sections of the car now!
As more people to take a global car photographs may not be easy, this time by watching the local film about cars, car parts for each are carefully designed, will be able to shoot as long as the careful observation of many good photos !
If the shooting car overall picture, in order to avoid the crowds intake screen, you can use a low angle, like the picture below, the use of low angle, the roof into the background, completely avoid the intake of the population screen, and then with the wide-angle use, making the photos have a certain momentum, is very suitable for the performance luxury sports car.
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Black-and-white photography is the construction of neutral imagery by means of pictorial practices. The artiste rendering an icon media, for instance, film or a digital image antenna, towards brightness, during the use of a regular movie camera or digital photographic equipment .The brightness afterward has an effect on the picture media in such a means as to depart a stable impression of the prospect on that communication. This media is then practiced to create a finishing representation or picture.
Black and white picture making is an imaginative structure. This class of photography seeks out to blend the characteristic of the person and social group and an original black and white taking picture, as fine art. Inspired black and white taking photographs do not simply entertain nor beautify. It articulates to the spirit in all its differences.
1. Study essential camera processes and perform. You have to be aware of how brightness decodes throughout the optical device and against a completed indication. F-Stop, mechanical device rapidity, focal point and movie speed are gears to organize the absolute representation and your message regarding that picture.
2. Experimentation with dried up film recording. Twirl your camera on a large mixture of matters. Conduct test with “seeing” in an integrative sense. Envisage the numerous personal effects of worth and quality. What do you see throughout your optical device? How do the fundamentals of your subject matter approach mutually? No one “perceives” how you do. That is the foundation of fine art.
3. Exit from certainty. Truthful advances to taking photos vary in that they are corporeality-based. Inspired conceptualizations turn away from the object as it is, to the object as it could be. A resourceful formulation launches a principle to disclose impressive regarding the subject matter. The tale is informed by means of brightness and shadows of gray, In black and white picture making. You may light a subject matter so that it exudes in more ordinary gray scenery if you desire to tell a tale of secrecy. The potentials are restricted only by thoughts and ability.
4. Examine your topic. Perform envisioning what is motivating regarding the subject matter. Does it have possible to attain public with the significance you desire to converse or that the topic essentially corresponds? throughout the masterpiece and camera and lens have power over, can you make an esthetically stimulating scheme?
5. Observe camera and lens manage. Beyond all, imaginative black and white taking photos request rising camera abilities and practice. A lens man ought to be a clever skilled worker with her camera and in the darkroom. It starts with the capability to correct camera scenery to organize brightness. Make use of brightness for its special effects on and approximately in your topic.
6. Make simpler. The more easily and straight your report, the broader and tougher it will converse. Insulate the topic.
7. Build up your personal movie. Consider the subtleness of black and white cinematography; you have to grow your personal black and white movie to preserve brightness dissimilarity. A normal photo workplace will diminish shadows of gray to a middle gray and subtleness will be lost –your art will be doomed.
A lot of digital lens man essentially desires to shoot imagery for Black and White in little dissimilarity conditions. So a shady or inclemency day can be an enormous moment to shoot exterior shots.
Paradoxically these are the times that persons who shoot simply in color be seated at home complaining concerning the ‘poor light’. Thus next moment you discover yourself with a dim and overcast day – shoot several black and white shots.
To help you even further you may want to take a look here at Digital Panoramic Camera to learn about the new point and shoot digital camera from Sony that will have you taking amazing digital pictures in no time.
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Scott Edwards out on a shoot with old school Black & White Photography. Photojournalist: Dave Duchan wfrv.com
These days cameras are everywhere. Whether it’s a tiny digital camera you keep in your pocket or a medium format monstrosity you use for a hobby, cameras have become an important part of human life. With that in mind, let’s take a ride down memory lane and look at where modern photography came from and what it’s meant to our civilization.
One of the most amazing aspects about photography is how much we depend upon them to record our history and tell a story, considering the fact that photography is still relatively new. The first permanent photograph was created as recently as 1825 using pewter plates and a substance called “bitumen,” and later iterations of the photograph would be printed on glass; paper didn’t become common until around 1888 thanks to innovations by George Eastman (as in Eastman-Kodak).
In 1901, the Kodak Brownie camera was introduced to the public. This was the first time that photography was so easily accessible to the public, in terms of ease of use and cost. It was during this period of time that film developing really took off as an industry. It’s incredible to think that something like getting film developed or emailing digital images, which we take for granted today, was a completely new concept just 100 years ago. The modern SLR camera has only been around for about 80 years, and even in that timeframe it hasn’t changed too much in terms of construction.
While black and white photography hasn’t change much since the early 1900′s, color film on the other hand, has had a dramatic shift over this period of time. Though color photography had always been pursued by early photographers, color film and printing didn’t become widely accessible until well into the 20th century. Kodak’s “Kodachrome” was introduced around 1935, but it would be a while before color film became the norm. One interesting thing about color film advancement is looking at how black and white film is still in wide use despite the introduction of color photographs; how many people do you know that still have a black and white television?
Of course, no discussion of photo-history would be complete without mentioning the digital revolution. This technology, which feels so familiar to us, has only been in wide use for about 15 years. The first “megapixel” sensor wasn’t even developed until 1986, and now it’s one of the most common words of our technological vocabulary. Though digital photography hasn’t changed much about the way we take pictures (point and shoot), it has had an immeasurable impact on our ability to share our photographs with the world.
Photography is one of the primary ways in which we document our lives. A picture can be as simple as remembering a birthday party or as important as increasing awareness about a conflict on the other side of the world. They help add weight and emotion to the words of reporters as well as preserve our history for generations to come. Every picture we take is living proof of human achievements, relationships, strengths, and weaknesses.
Autumn Lockwood is a writer for Your Picture Frames.com and loves photography. Your Picture Frames offers a large selection of photo frames so you’ll always be sure to find exactly what you want. Shop online and see our big selection of 5×7 frames and 8×10 picture frames now.
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A collection of black and white photographs made into a slideshow.
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The world of black and white photography is considered a Fine Art form and it is done to induce an emotion of timelessness and freeze a moment at any given time. It goes without saying that a few great photographers like Ansel Adams and Steigletz have made black and white photography what it is to today and even long after their deaths keep it strong and alive. This type of a picture is a true classic form of art and extremely breathe taking. There can never be enough said about black and white photography, but the pictures themselves will speak volumes for all that are looking at them.
Black and white film comes in a few different classes. The tabular black and white film is a new and thinner emulsion film that has more of a surface area and it gives off less depth with high sharpness. Conventional film is the standard type that gives off a superior detail to highlight and was used before the tabular film was introduced in 1988. Orthochromatic film is the best for shots of people and landscapes and gives off a tone that stands above all other film types. Chromogenic film uses dyes and not the silver particles that are used by the other film types. There is no control over the development process and it is more difficult to work with.
There really is no other special equipment or camera that is needed for black and white photography, only the film. When you bring in your roll of film to a store to be developed just let the person behind the counter know what it is. Some places specialize in the development of black and white and it is best to use their services to gain the true feelings you desired to achieve and portray with the photos. Other places develop this type of film, but in return you may not get the true color, or lack of color you desired.
Felix Zhucha owns http://www.postersphotosartwork.com/black-and-white-pictures.html
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There are many photographers around in the world but only some are able to get popularity in highly competitive photography industry. While the number goes very less when it comes to photographing black and white pictures. The reason behind this is not that everybody has got the talent and skill to convert any colorful image into a black and white masterpiece. Apart from the capability to create stunning black and the white images is essential, you also need Silver Efex Pro software. This software is considered as the one of the best leader of the black and white world.
This award winning software is developed by Nik Software, Inc, which is a private company head quartered in San Diego, California. It has a branch office in Hamburg, Germany. There are numerous reasons behind why Silver Efex Pro software is considered the market leader of the black and white photography world and these are as follows:-
Through this software you can amplify blacks and whites thereby increasing the presence of highlights and shadows adaptively throughout the image, creating an incomparable contrasting effect.
The History Browser allows intuitive comparison of previous edits and different looks.
Its Dynamic Brightness allows adaptive brightening and brightness adjustments for various areas of an image.
Based on a particular image’s information, its Soft Contrast feature employs contrast intelligently and hence creates a less harsh contrast and a more stylized mood.
Its Visual Presets are defined by photographic styles, which provide a great single-click starting points that can be edited and shared with others.
The Selective Colorization feature easily adds colorful elements back into the pictures by using its patented U-Point technology which precisely selects different objects of an image.
The Fine Structure feature brings out even the smallest details and textures resulting in more visible image-detail without giving an over-sharpened look.
The new GPU Processing ability of Silver Efex Pro software takes full advantage of the processors found on advanced display adaptors, processing even faster images into finished pictures.
Its Image Borders uses an organic image element to create unique and entirely random borders, giving a classic darkroom style edges with a modern look which provides endless possibilities.
You would also be excited to know that a second version of this award winning software is available in the market. You can buy your genuine copy of Silver Efex Pro software either online or through any of its authorized distributors and resellers.
Anie Bates writes article for technology. He has vast exposure in writing for technology products like Colormunki, Silver Efex Pro, Spyder3Studio SR, Nik Software, Wacom Cintiq and many more. Visit www.smartimages.com for more details.
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